Tuesday, April 24, 2012

april 21st extract-holy fuck


Holy Fuck-Frenchy’s-Holy Fuck
Although I have  slagged Sisters of Mercy for not acting their age, this track is definitely on the iPod because I am not immune to falling for childish names for bands. I only downloaded this album for of the name of the band. I’d never heard anything by them. I have also similarly fallen for Fuck Buttons, Fucked Up, That Fucking Ocean and The Fucking Tanks. (Die, You Bastard!, a Japanese hardcore punk band do not fall into the “fuck” category, but do have a sweary name. Whilst I’d love to write about them as they are so over-the-top, I only heard them after the iPod broke so I’ll have to forego that pleasure.) I realise all this is not big or clever, but it is quite funny. Unlike Sisters of Mercy.

Bands with “fuck” in their name appear to fall into a number of fairly distinct camps. Holy Fuck/Fuck Buttons-electronic/noise. That Fucking Ocean/The Fucking Tanks/Fucked Up- thrash/punk/post punk/loud loud hardcore.  It would be interesting to see the use of the word in the context of a different genre of music; for instance how about The Fucking String Quartet or Ray Suave and his Fucking Toreadors of Swing ? Possibly not.

Of the noise axis-Ocean/Tanks/Up, I must say I prefer the first of the three largely because of their sub-early-Fall leanings, coming from New Zealand, having only released one 4 track e.p and therefore more exotic and obscure than the other two….Tanks are from London (I think) and therefore more mundane and …Up are a bit too generically punk and therefore a bit boring.

That’s them dealt with.

Between Holy Fuck and Fuck Buttons I only hear a slight stylistic split when I listen to them back -to- back for the purposes of this piece. Although both clearly owe a debt to Faust/Can/ Neu! Etc, Holy Fuck are more at the dancey- rave end (shorter tunes and repetitive beats) and Fuck Buttons tend towards the avant-garde and ear-splitting noise. There isn’t that much between them in the end though. What is not apparent is that Holy Fuck adopt a fairly puritanical position regarding their music-no loops, sequencers, splicing-they want to make electronic music without the latest technology. It’s electronic music made by Luddites and what I guess the German bands would be possibly doing now if they had grown older but the instruments remained the same as they were in the mid 70’s. Holy Fuck also use toy guns and toy synthesisers but real drums and guitars. Their raison d’etre is that it can all be played “live” both in the studio and on stage. I can say though, however good the music is, that I can’t really tell. Doesn’t seem to make that much difference.

At Glastonbury in 2010 I missed the chance to see Holy F**k (as they were coyly printed on the Glastonbury t shirts). I think they clashed with The Flaming Lips or MGMT or someone else. I might have been disappointed-sometimes it’s better to imagine what someone sounds like live rather than actually seeing them.

Well, that’s my 500 words. I’m fucking all typed out.

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