Sunday, November 24, 2013

Totally Shuffled Day 212-Lori & The Chameleons

extracted from "Totally Shuffled-A Year of Listening to Music on a Broken iPod"



Lori & The Chameleons-Love On The Ganges- Zoo 7” single



 (This is "The Lonely Spy")


Lori and the Chameleons only ever released two singles. This track was the b-side to their first one, “Touch” in 1979, and their second single, “The Lonely Spy”, was released in 1980. Both the singles were such things of fragile beauty that it seems so sad that there wasn’t anything else. Just two singles and that was it. “The Lonely Spy”, just from the title alone, conjures up a vision of a forgotten secret agent, left to amble around a falling Communist State and stuck behind the Iron Curtain at the end of the Cold War with not much to do. It’s akin to one of the mythical “is-the-war-over-yet?” tales of Japanese soldiers discovered coming out of the jungle in the Pacific sometime in the mid- 1970’s. The music-and specifically the vocals-are sung in a Velvets/Nico era/Phil Spector-ish Wall of Sound style, by one Lori Larty. She was spotted walking down the street by Bill Drummond and Dave Balfe, and recruited as the singer for their band on the spot. Not on the strength of her singing capabilities (because they hadn’t heard her sing), but because she looked like a singer.

Based on the sole four tracks on these singles though, Lori was more than capable of carrying a tune. I do have a slight suspicion regarding her recruitment, simply because it was connected to Bill Drummond. On the other hand, it’s such a good story that I’ll suspend my disbelief and trust in the tale that after these two singles Lori Larty jacked it all in and decided to go to art college, thus causing the end of one of the most perfect pop groups ever. (It is not beyond the realm of possibilities that; (a) there never was a singer named Lori Larty; (b) that would never be anyone’s real name; (c) what would be the chance of picking someone at random off the street and who could sing so well;(d) no photographs of Lori Larty have ever come to light ; (e) Bill Drummond had form for such art pranks).

“Touch” apparently took Drummond and Balfe 18 months to write, and was based upon Lori’s holiday in Japan. I do like the idea of a finely crafted pop song that took so long to come to fruition; Brian Wilson/Smile style, burnished, honed and polished until it was perfect. But we know that no art can ever be perfect; all you can do is to try to get close to it.  Or reach perfection and then go past it, beyond it and slip slightly away. Perfection falling through your grasp. There’s a motto that states that a good artist knows just when to stop. Did Lori and the Chameleons stop at the right time when they were making “Touch”? I don’t know for sure, but to me it’s as close to perfection as any pop song could be. Was there anything else left behind by Lori and the Chameleons, undiscovered and left behind for us? Is there a reel-to-reel tape in the corner of a studio somewhere, unmarked but containing the greatest lost album of all time? Maybe there’s a box of albums, fully completed with magnificent artwork, sealed and gathering dust on a shelf of a warehouse in an industrial estate? That’s the mystery and magic of Lori and The Chameleons. 

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5 comments:

  1. Lori existed and that was her real name. Lovely well mannered girl who grew up in Knowsley Village with her sister Sue. Very attractive but never sought attention. Have not seen her since late seventies but believe that the storey is true.

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    1. Thanks! I have also recently heard that she was a real person, Still a great track!

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  2. She lived in Calderstones Ave, circa '79 when she was studying at Liverpool art school. Lovely lass.

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  3. I did my Foundation Course with her. She was indeed real.

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  4. In same group doing fashion at art college with her. Nice girl with an individual style of her own.

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