Voodoo Ceremony in Haiti-Olympic LP, 1974
First off-just
so there is a flavour of what this is all about- here is the track listing of
this record:
1.
Voodoo Drums (5:26)
2. Nibo Rhythms (1:19)
3. Prayer to Shango (1:56)
4. Petro Rhythms (0:47)
5. Nago Rhythms (2:40)
2. Nibo Rhythms (1:19)
3. Prayer to Shango (1:56)
4. Petro Rhythms (0:47)
5. Nago Rhythms (2:40)
Side Two
1.
Invocation to Papa Legba (5:59)
2. Dahomey Rhythms “The Paul’L” - Maize Rhythm - Diouba Rhythm “Cousin Zaca” (6:06)
2. Dahomey Rhythms “The Paul’L” - Maize Rhythm - Diouba Rhythm “Cousin Zaca” (6:06)
It doesn’t really help much. Maybe the titles of
the tracks should assist-but as I have no idea who Papa Legba is or who or what
a Shango is I’m stumped. It does give an indication, a feeling. You get a sense
that it was recorded in a slightly threatening atmosphere. Maybe it’s just my
imagination and I’m falling into a stereotypical cultural trap but there’s a
definite impression of chickens being slaughtered, bones being rattled and
shrunken skulls used for percussion. I’m sure that there are goats in the mix
as well. It’s a generally disquieting record and leaves a sense of unease.
It’s one of the few compilation albums I have where
I’ve no idea who the artists are. What else do I know about this record? It was
recorded in Haiti, sometime before 1974, on less than sparkling equipment. Like
many of these types of recordings, it wasn’t made in a studio but is termed as
a field recording. I don’t think it was made in gentle rolling green hills
though but in the backstreets of Port-Au-Prince, probably in the middle of the
night. (The back of the sleeve states “Recorded on location”). I have a feeling
that it was recorded by some bloke cowering behind a wall, holding a microphone
and crapping himself. It sounds as if the tracks are being played a fair old
distance way and every so often you can hear a woman’s voice, speaking French and
sounding very scary. No wonder the album is relatively short-I’ll bet that he
hightailed it out of there as soon as he could.
The album was released in 1974 on Olympic, which
was a French record label and although it’s now probably available as mp3’s this
was ripped from the original album as the references to side one and side two
attest.
I did think that this was the only record I have of
actual voodoo music. It is the only one on the iPod but somewhere in the house
I do have a compilation of field recordings made by Alan Lomax in the 50’s
which has a whole CD of voodoo music from Haiti. I think I’ve only listened to
it once and I remember it being even more scary than this record.
I’d like to have a massive sound system in my
little car. The next time some scally stops next to me at the traffic
lights in his Subaru blasting out some
generic r & b, I’d slap on this album, turn the volume as high as it would
go, and put the fear of God into him. Unless of course, I was driving round Port-Au
Prince where this stuff is probably the equivalent of listening to Songs of
Praise.
No comments:
Post a Comment