Thursday, January 30, 2014

Totally Shuffled extract-The Woodentops

extracted from "Totally Shuffled-A Year of Listening to Music on a Broken iPod"



March 15th

The Woodentops-Love Affair With Everyday Living-Giant

Some albums are lost classics. Not lost as never released, like The Beach Boys “Smile” or Princes “The Black album” (though as record companies become increasingly desperate, the amount of those unreleased albums become smaller and smaller), but lost, as in undiscovered or merely forgotten. It may be that they were just badly promoted when they were issued, or not part of any current vogue at the time. They may have been overshadowed by something that was more critically acclaimed at the time, or seen as irrelevant. At times it can be that they were over-hyped when they were issued and quickly, yet unjustly, fell out of favour.  Sometimes it’s because the band is breaking up or that they’ve fallen out with the record company. It can just be bad luck. I’ve got quite a few of these classics, and some of them I forget about until I stumble across them and realise how good they actually are. The Woodentops’ “Giant” is one of these very albums.

 I wouldn’t really know what it should be categorised as-pop, indie, post-punk? It was issued in 1986, so I suppose at that time that indie music was hitting a peak, and it was just before it all imploded into Brit-pop. The album did quite well-it hit the lower reaches of the main charts and did well in the indie charts. There’s a mix of brass and acoustic instruments and a dead clear production by Bob Sergeant (a bit 80’s-ish, but crystal). He also produced The Beat’s first album, which to me, is also another missed classic. The songs on “Giant” though, are all fast played, heavily strummed, breathless and frenetic pop songs. It’s as if they just had to get the songs out as quickly as possible. Listening to it again, I am surprised about how intensely romantic it all is.  Lyrically it’s an extended love letter-full of the hope and naivety of youth. It takes me back to a time when I was clearly much less cynical than now.

Live they were something else as well. I went to see them play shortly after the release of “Giant” with my mate, Andy, at some smallish club in Manchester. (Probably I think that’s the only time I’ve seen anyone play in Manchester. Don’t really know why, it’s only 35 miles away). When we arrived the club was packed to the rafters and it was as hot as hell. Like a tribute to the cliché of the Cavern in the 60’s, the wall were dripping. This was only as the support act finished. When the Woodentops came on stage the place went berserk. There was no room to move, everybody was jumping up and down-it was like being at the match in the old days. The Woodentops started with a fast song and got faster and faster and louder and louder. After an hour or so of this and by the end of the gig, we were knackered and decamped to a nearby pub for a much needed pint and to cool down. Being in an area of Manchester neither of us knew, we made the mistake of walking into somewhere that was entirely frequented by angry looking skinheads. A big Union Jack over the bar should have given the game away. It was like stepping into something in the Wild West. If there had been a piano playing it would have stopped. We beat a hasty retreat. Giants we were not.

Get/read/see "Totally Shuffled" here:



 

Thursday, January 23, 2014

Totally Shuffled extract-Television "See No Evil"

extracted from "Totally Shuffled-A Year of Listening to Music on a Broken iPod"



May 6th
Television-See No Evil-Marquee Moon

I should have got Television back in 1978, rather than two or three years ago. I always wrote them off as hippy/jazz remnants playing tricksy songs in difficult time signatures just because they wanted to prove a point. This was not the done thing in the white hot period of punk when less was more. Three chords were more than sufficient to string a tune together and brevity was everything. Being puritanical at the time, it was considered that any track that lasted over 2 min 30 sec was dangerously straying close to prog rock territory.  (I remember when Wire recorded a 15 minute song “Crazy About Love”, for a Peel session track in 1983. Even though this was at least 5 years after punk, Wire, being considered still by some to be a “punk” band, were castigated as total sell-outs and traitors to the “cause”). In our youthful naivety, we thought that all the punk bands were blazing a fresh trail with a scorched-earth policy to everything, including musicianship. That’s what we were all led to believe by the music press and the record companies anyway. We all fell for it, hook, line and sinker. What we do know now that virtually all the punk bands were old hippies themselves and had all played in awful pub-rock bands for years.

“Marquee Moon” (the single), seemed to go on forever and a day-and even now it’s got an endless quality that, even though I’m well-used to 25 minute tracks from Godspeed You! Black Emperor and their ilk, listening to it makes me wish Television would just get on with it and bring the whole shebang to a close. Just when you think it’s over, up it starts again for another 10 minutes (or so it can seem). I actually do now like the track although I definitely think that you have to be in the right mood for it. One of my friends had the single as a coloured vinyl 12” single, and the simple fact that a) it wasn’t a 7” single and b) my friend still wore flares on occasion, led me to write Television off as a bunch of hippy New York chancers for a very long time. “Marquee Moon” kept cropping up on various compilations of both punk and post-punk stuff. I couldn’t get away from it. It was even on the first Rough Trade CD box compilation, “Twenty Five Years of Rough Trade Shops”, and most of the time I skipped though it.

Although the single kept cropping up on collections, I also kept reading how groundbreaking the album was in “best of” lists in music magazines-i.e. best punk albums, best post-punk albums, best guitar albums, best New York albums etc. I would not have been surprised if it had shown up in Gramophone’s “best orchestral record of the century” list or “best use of Tuba” in Brass Instruments Weekly. There must have been something about it to gain such accolades. So, after over a quarter of a century, I laid down my prejudices, braced myself and got hold of the album. And it’s actually rather good. All the praise heaped on it is totally justified.

“Marquee Moon” though. Blimey, it’s still a bit of a trudge.      


Get/see/read "Totally Shuffled" here


 And now as paperback! 





Wednesday, January 8, 2014

This is what Totally Shuffled is all about....

Totally Shuffled: what it's all about...




This is what Totally Shuffled is all about.

This is what I have been tweeting for the past 280-odd days.

Only a bit to go.

592 pages.

500 plus words per day. Every day for a whole year.

Different artist every day.

Whatever track came up first on shuffled each day, I wrote about.

I may have written about the track, the artist, the record,or something completely different. Off on a tangent.
 
One track per day for 366 days on a broken iPod. 

366 tracks out of a possible 9553. 

From the obvious (The Rolling Stones), to the obscure (Karen Cooper Complex). 

From the sublime (The Flaming Lips) to the risible (Muse). 

From field recordings of Haitian Voodoo music to The Monkees. 

From Heavy Metal to Rap by way of 1930’s blues, jazz, classical, punk, and every possible genre of music in between. 

This is what I listened to and wrote about for a whole year, to the point of never wanting to hear any more music again. 

Some songs I listened to I loved, and some I hated. 

Some artists ended up getting praised to the skies and others received a bit of critical kicking. 

There’s memories of spending too many hours in record shops, prevaricating over the next big thing and surprising myself over tracks that I’d completely forgotten about. 

But with 40 years of listening to music, I realised that I’ll never get sick of it. 

I may have fallen out of love with some of the songs in this book, but I’ll never fall out of love with music.

(And two five star reviews so far!) 


See/Get/Read  "Totally Shuffled: A Year of Listening to Music on a Broken iPod" here:



Saturday, January 4, 2014

Turn Left At the Womble- Now available in paperback!

Turn Left At the Womble - Now available in paperback!!!



A fair few people have asked if it was possible to get hold of "Turn Left at the Womble-How a 48 year old Dad survived his first Glastonbury" as a paperback book rather than as a Kindle one. I am pleased to tell you that it is now possible. Hurray!

The good news is that I have managed to work a way round it and you can, if you wish, get a copy to hold in your hands, complete with full colour photographs throughout. The maybe not so good news is that because of the cost of producing the book in colour, then it does costs a fair bit more than the Kindle version. Apologies.

The (paperback) book is produced though Amazon by CreateSpace and this price is the minimum that they will let me sell it for. All the price is swallowed up in production costs and goes to them and CreateSpace. I am getting no royalties at all from it. Zero.Zip.Zilch.

Having said that, the main thing for me is that people read the book, and if someone cannot or would rather not read a Kindle version of it, then any other way possible is good as well.

Of course the Kindle version is still available (& cheaper!) and you don't need a Kindle to read it; Amazon produce loads of (free!) software so Kindle books can be read on many other devices; tablets, laptops,PCs, Apple devices (iPads,iPods,iPhones etc).  

Hope this helps. Enjoy! 

Thanks for reading it and all your feedback!

Here is a link for it as paperback

http://www.amazon.co.uk/Turn-Left-The-Womble-Glastonbury/dp/1494816385

And here is the Kindle one

http://www.amazon.co.uk/Turn-Left-The-Womble-Glastonbury-ebook/dp/B0060YCKGW

Friday, January 3, 2014

Molten Rock-Immigrant Song

(Extracted from "Totally Shuffled-A Year of Listening to Music on a Broken iPod")



Molten Rock-Immigrant Song-Kalevala LP

I never really liked Led Zeppelin. Not for a long time anyway. I had them down as a bunch of long haired, velvet-flared wearing knobheads. Maybe that was just their fans. Complete with old, grubby greatcoats, bad haircuts, zsofo and four symbol patches in 1979, trying to pretend Canute-like that there hadn’t been a sea-change with the advent of punk and everything was old hat. (Of course it wasn’t, and ironically, the song remained even more the same as before, but we weren’t to know that, replete as we were with our X-Ray Spex singles under our arms and denim jackets punked up with safety pins). Led Zeppelin fans, however, grimly held on through post-punk when the ideology of the band was probably as unacceptable as it had ever been; could you imagine how it would have gone down with a bunch of Au Pair fans, singing about squeezing lemons until the juice runs down your legs? I think that after that then Led Zeppelin just would have been seen as irrelevant and never really fashionable. (A few years ago, I remember watching Robert Plant on Jools Holland’s Later TV show. I only watched it because The Fall were on the same show. I had to admire Plant though. He was hopping away on one leg for all it was worth, gurning his wrinkled face like it was 1969 all over again in visions of ecstasy and flailing his curly wrinkled locks around, all whist wearing a pair of unfeasibly tight jeans. It was truly horrific, yet the sort of thing that you couldn’t take your eyes off. The man had no sense of embarrassment at all. He either thought he was extremely cool or just was totally enjoying himself and didn’t give a fuck).

My conversion to Led Zeppelin only came late in the day when, through a sense of boredom in the middle of a Saturday afternoon shopping expedition, I saw their BBC Recordings double CD which had just been released, in the racks at Sainsbury’s. Looking at the back sleeve of the CD, I hadn’t realised that they’d recorded so much for John Peel’s old Top Gear programme and thought that if had been good enough for Peel (even back in the day), that surely it would be worth a go. With a sense of betrayal therefore, I shuffled up to the counter with a tenner in one hand and the CD in the other. I expected to get home and play it a couple of times and thereafter for it to be consigned to the cds-I-should-never-have-bought pile. I had a heap of ironing to do and thought it would be a case of killing two birds with one stone; listen to the whole thing and get all the ironing done.

Two hours later though, all the shirts and the rest were hanging up neatly and I was considering if embroidered velveteen trousers would really look that ridiculous on a man of my advancing girth and age. The Zepp rock!

Get/read/see "Totally Shuffled" here  

UK:http://www.amazon.co.uk/Totally-Shuffled-Listening-Music-Broken-ebook/dp/B00CJYZ3CA