Big In Japan-Match of the Day
Big In
Japan were a supergroup before their time. They only released one e.p. and one
track on one side of one single. They did have a great line up though. Dave
Balfe; later to found Zoo Records with Bill Drummond, play in the Teardrop
Explodes (and manage them) and set up Food Records, as well as managing Blur.
Budgie; later to drum for both the Slits and Siouxsie & the Banshees. Holly
Johnson; lead singer of Frankie Goes to Hollywood (massive hit singles etc).
Jayne Casey; later to become driving force behind the superclub, Cream and an
artistic director for Liverpool’s Capital of Culture thingy in 2008. Ian
Broudie; formed The Lightning Seeds (big hit singles-Three Lions etc) and
producer of lots of groups including the Pixies. Bill Drummond; founded Zoo
Records, managed The Teardrop Explodes and Echo and the Bunnymen, formed the
KLF, the JAMMS, also an artist, writer and maker of soup.
I never
did see them live but apparently they played one song which was never recorded
and to which the lyrics changed each week. It was a twenty minute noise/improv
fest called “God Reads The Charts” over which Jayne Casey screamed that weeks’
top twenty at an ear-piercing volume. This still sounds like a fine concept to
me.
Two tracks
of their seven recorded tracks were on a compilation album issued under the Zoo
banner, “To The Shores of Lake Placid”. This was a lavishly manufactured
gatefold album that probably cost a fortune to produce. No wonder that Zoo went
bust shortly after it came out. It had rare and previously unreleased tracks
from the Teardrop Explodes, Dave Balfe (as The Turquoise Swimming Pools and the
only recording of Julian Cope as in his alter -ego of Kevin Stapleton. (This
latter track was utterly bonkers and gives a very strong case as to why drugs
are A Bad Thing.) The two Big in Japan tracks were from their John Peel session
and hadn’t been released until then. I had the album for ages until it bit the
dust in the great vinyl cull. It didn’t really matter though because a few
years later everything that Zoo had ever released as well as this album was
collated on one (bootleg) album. This goes to show that if you wait long enough
for something to be released it will be. The days are long gone when I’ll pay
over the odds for a supposedly rare track. I’ve had my fingers and wallet burnt
too many times whilst falling for that scam.
This track
though has never been re-released. I had it on a compilation of Liverpool post-
punk bands called “Street to Street” that was issued by an art
gallery/recording studio. It had early Bunnymen/Teardrop/OMD tracks, a terrible
sleeve and good sleeve notes by John Peel. This track by Big in Japan was an
instrumental and would have made a great theme tune for the football show of
the same name. It still would do as well and I’m surprised the BBC has never
used it. Like all things it’s bound to crop up somewhere. It’d be a bit ironic,
though not wholly unexpected, if it turned up on Sky.
(This isn't MOTD though but still a good Big In Japan track.)
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