Courtney Barnett
I think that
this is probably the first time that I’ve ever posted on this blog something or
anything about an artist who is totally new to me. Most of the time, as can be
seen from earlier posts, I’ve put stuff on here about post-punk bands or blues
musicians or obscure rockabilly singers from the 50’s. Whichever it’s been, well,
I’ve listened to their music for a very long time, possibly years and years,
and although I may love it (The Fall) or hate it (Sisters of Mercy), I know
what it’s all about i.e. it’s not new.
But here and
now, I’m kind of breaking this habit, this rule that has sort of developed of
its own accord over the past few years. And it’s all because I’ve heard
something new and something that has totally blown my musical socks off.
Sometimes when
you listen to lot of music-and I do listen to a lot of music- you get kind of
bored. It all becomes stale and you enter that “there’s nothing new under the
sun/it all sounds the same/ this is just like xxxx” mindset. At those times (and
I think they are much more prevalent since the advent of the internet and the
ability to really to get hold anything who want at the click of a button), I
have this dread fear that I’m going to be stuck in the past listening to the
same old stuff over and over again. Maybe that point will come some day. But I’m
relieved to say it’s not happened yet and it’s because of Courtney Barnett. My
faith in music has been restored and there’s something to get genuinely excited
about once more.
I’m writing this
on a Sunday evening. I first heard this artist on Thursday evening. Less than a
week ago. Four days ago; and kind of purely by chance. I was flicking through
the internet on Thursday and saw her name crop up. A faint bell rang. That
faint bell was with reference to an interview Emily Eavis did about the initial
Glastonbury line-up for 2014 and something along the lines about “it wasn’t all
about the headliners…really excited about new artists, such as Courtney Barnett.”
Now I have no idea why but somehow I must have got missed up and assumed
(totally incorrectly) that “Courtney Barnett” was some sort of
nu-jazz/rap/poet/white bloke with dreadlocks/drippy singer-songwriter.
Something like that, if you get the picture. But as I flicked through the net last
Thursday tea time and saw a photo of “Courtney Barnett”, I had a sort of Homer-doh
moment.
Courtney Barnett
wasn’t the aforesaid public school idiot but a female singer from Australia. I
had literally got it poles apart. For some reason, probably because I was a bit
bored and hungry, and because she was playing Glastonbury, I thought I’d better
try to listen to what all Emily Eavis’ fuss was about. I’m so, so glad I did.
She’s only released
2 EP’s so far as far as I know, both of which have been collated onto the appropriately
titled, “The Double EP”. There are 12 tracks in total and these 12 tracks have
been on virtual repeat in our house (and our car) since Thursday evening. Apart
from when I’ve been asleep or in work or down the shops, then I’ve not listened
to anything else. It’s been with me when I’ve been writing, ironing, washing up
or when everyone has been watching some dross on the TV.( I must admit that I’ve
listened to a bit of The Fall as well, but take that as a given.)
Do you remember the
first, or the most recent, time that you got so excited by a record that you
wanted to make copies of it for all your friends, or even buy them copies and
give it to them as presents? The time when you hear the first few bars of a
song and know that it’s just so inherently right and so special? It may be the
first note of Dylan’s “Like a Rolling Stone” or the very beginning of Prince’s “Kiss”.
It doesn’t matter really what it is; we all have those special moments. Well, “The
Double EP” is 12 of them. Not just the start of the songs, but the whole lot.
I’m not going to
go into a massive dissection of the tracks one by one, or try to compare them
to other artists. That would just spoil it for you and give you preconceived
ideas. All I can say is that this is most exciting and vibrant music I’ve heard
for ages and ages. And I’ve only been listening to her for 4 days as well!
I realise that
all this sounds super-effusive and over-the-top. It’s not; if anything, I’ve
taken a step back and tempered it all down.
I could easily
have put a link to a You Tube clip of her on here, but I haven’t, for the reasons
above.
Just get hold of
“The Double EP”. I’m sure you won’t be disappointed.
Two more things:
1.If I go to see anyone playing at Glastonbury this year, then it’ll be
Courtney Barnett.
2. I can’t wait to see what she will do next.
1
“The Double EP”
is here on Amazon;
I know exactly what you mean, heard her on BBC6 music last October and bought the 2 eps on import as not available in the UK. She's touring UK in May, try and see the band live. Also her and Bones (bassist) from the band are on Jen Cloher (on her record label) "In Blood Memory" album, try this for a taste. http://store.milkrecords.com.au/track/name-in-lights
ReplyDeleteCheers! By (very bad) chance I just missed out on seeing her play in Liverpool recently, However, she will be at Glastonbury and I'm determined to see her then! Thanks for your recommendation. Will give it a go!
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