Showing posts with label Left Again at the Womble. Show all posts
Showing posts with label Left Again at the Womble. Show all posts

Sunday, June 1, 2014

Some (more) pre-Glastonbury thoughts



Some (more) pre-Glastonbury thoughts



 

My last post touched upon a few things that made the Glastonbury Festival special for me and since I wrote it, I’ve been pondering if there was anything I missed out on. If there was anything that was so obvious that I overlooked. Of course there is! It’s so vast and diverse that I would be bound to not cover everything. So here’s just a few more that I hope ring true; or at least find some of you nodding in slight agreement. These are purely personal and can only relate to the (limited) number of times I’ve been. Once again, they aren’t in any order of significance or importance and really are just what has popped into my head. I’m sure there’ll be more after this June.

1. Tickets (again!). This is quite timely and appropriate as our tickets for this year turned up yesterday. There’s a special feeling when you actually have them in your hand as opposed to having that simple e mail confirmation. Waiting for the post to turn up on the day you’re expecting them is a matter of twitching the curtains back and forth, sticking your head outside your front door countless times to see if the postie is walking down your street and wanting to rip the ticket out of his hand as soon as you catch a glimpse of him. There’s also the conversation that goes along the lines of “What time DOES the post normally turn up?” When you do get them it all suddenly becomes very real and is simply just down to the fact that you have a ticket with your photograph on it. Then there is the issue of where are you going to keep your tickets safe in your house as well as the passport-holiday-type panic on the way down i.e. “have you got the tickets?” A nice problem to have.

2. That Friday feeling. Although the Festival gates open on the Wednesday and there’s always plenty to see and do on the Wednesday and Thursday, I still have a weird feeling that it doesn’t really kick off until the Friday morning. I know that this doesn’t make much sense and I probably wrong but waking up on the Friday morning gives me a here-we-go moment.

3. TV. Watching in all back on TV when you get home, having made sure someone has recorded it for you. I’m just glad there are now TiVo and Sky boxes and I do not have to mess around with video tapes.

4. Going on and on about it. Tied in with the TV above. “Was it good? Did you enjoy it?” I’m sure we’ve all had those questions from family, friends and work colleagues, but you can’t really explain it all. Doesn’t stop me trying however.

5. Dogs. This only struck me last year and probably just because we had just got a dog ourselves, but I’d guess Glasto is one of the only places you can be for nearly a week and not see or hear a dog. Or a cat.

6. Colours. (This is all getting a bit abstract here.) Glastonbury is a riot of colours, even on the greyest, rainy day even when everywhere is muddy. Maybe it’s something to do with the light or the bins or all the flags, but somehow all your senses seem to be heightened at Glasto. (Am I straying too much into mystical stuff at this point?)

7. Walking. Back to reality. Being a natural lazy person, I never walk so much at any time of the year as when I do at Glastonbury. There is a lot of walking involved and every year I think to myself that I should really use the car/bus/train less and that this walking lark isn’t all too bad. I also have an eye on being a bit fitter for the next year. Never works out; it certainly hasn’t this time. If you are there this time and see a bald-middle aged type chap (not narrowing it down exactly here, am I?) looking completely knackered after walking up a slight incline, then there’s a fair chance it might just be me.

8. Time. Not getting too mystical again I hope, but time is a bit of a fluid concept at Glasto for me. It’s all practical. Possibly because it’s a bit like being on holiday and away from home or work and the humdrum daily things; and you are like that on holiday anyway, but there’s definitely a sense of “did we only do that this morning or was it yesterday?” Allied with this is that last day of holiday sensation but to the nth degree when on sometime on the Sunday you realise that that it’s nearly all over for another year. And that’s if you can get tickets for the next year.

9. I wish I’d gone earlier. I wish I hadn’t waited until I was nearly 50 before I made it my first time.

10. Home. Slightly at odds with all the above, but bear with me please. I may just love my home comforts too much or simply be at a certain age, but there is nothing that can replicate that feeling of getting back into your own (comfy) bed on your first night home and sleeping the sleep of the truly knackered. And truly happy.

My two books about Glastonbury, "Turn Left at the Womble" and "Left Again at the Womble", are available here in both Kindle and paperback formats;
 

and




 
 Third (and final book in the trilogy!) all about 2014 in preparation!


Saturday, May 24, 2014

Some pre-Glastonbury thoughts..


Some pre-Glastonbury thoughts..




It's been a little bit of a while since I posted much at all about this years Glastonbury. I could have possibly written something about the line-up or about getting hold of our tickets or wondering about the weather: really any manner of things. But I don't actually know how this year is going to turn out and maybe in any event all that can wait for another time.

What I have been thinking about is all the the things that going to and being at Glastonbury means to me. I can't profess to be an expert in any way, shape or form about it. After all, I've only been three times. There are countless people who have been many, many more times than I have. They've probably seen it change drastically over the years and are well-versed regarding all the nooks and crannies that I've never been to or seen. Having said all that, the three times that I have been have been completely different for me each time.The first time I went with my 17 year-old daughter and her best friend, the second time I couldn't get a ticket yet ended up working a bar there and the third time (in 2013), I went solo. Possibly it's different each time anyway, but each time for me was completely unique in its own way. This time, in just a few weeks from now, I'll be going with my 24 year-old son for his very first Glastonbury and I'm sure it will be different once again.

Tied in with all of this are the reactions from friends, family and work mates when I tell them I'm going to Glasto. Sometimes I feel I should explain, or need to explain,what's so special about it, but I don't think that they really get it. It might be that it's just impossible to put it into words, but I'm going to try anyway.Here are just a few of the things (small things admittedly, but sometimes it is the small things that matter) that make it special. 

Before I go any further and to avoid any accusations of looking at it through rose-tinted glasses, I am sure that there are things about Glasto that are far from perfect and I understand that it wouldn't be everyones' cup of Earl Grey. Yet for me, here we go, in no particular order...  

The little things...

1. Being able to actually get a ticket. The excitement and the build-up and the sheer nervousness of the day(s) before they go on sale. The "will I be lucky?" feeling mixed with the "of course I won't be" pessimism. The sleepless night before and the mad refreshing of browser windows on the morning of the sale. And the sense of relief if and when you see that notification pop-up on your screen that "you have been successful in purchasing tickets" etc. (I don't really know what the exact words say as I've always been too excited.)   

2. The handpainted bins done with love and care. All unique. It would be too easy for Glasto just to stick plain, unpainted, undecorated bins across the site, but they don't. As I say, its the small things that matter. Alongside this are all the signs, hand painted in the same font. Small things matter.

3. The sheer and vast variety of music on offer. If you are a music fan in any way at all, then it's akin to a small child being let loose in a sweet shop. To stretch the analogy too far, then you can listen to enough music to make yourself sick and then still go back the next day and do it all over again.

4. The people (1). Not the punters (yet) but all the people working there; running stalls, stewarding, serving food and all matter of other things. Possibly I've just been very lucky over my three years but I've yet to really meet any of them who has been less than friendly and who has seemed unhappy to be there. Everyone (and I'm scratching my head at this point) but it's true, everyone who I have ever talked to, or asked for help or assistance or simply just dealt with has been invariably cheerful. Must be something about the place.

5. The tranquility. Now this sounds a bit odd when you are lumped together with well over 100,000 other people but every year I have been in one place or another, either walking back to the car park, or tramping along some route or another between stages when I've looked around and there is not another soul to be seen. This hasn't happened very often, but it has happened every year at least once, and when it does, then it's the quietest and most relaxing place in the world. 

6. Waking up there on your first morning and realising that you are at Glastonbury and not at home!  

7. The food. The first time I went I was fully expecting to have to survive on half-warm hot dogs and dodgy burgers. This is something that everyone who's never been asks me about (after asking about the toilets and the mud, of course). I may not have the most sophisicated palate and I am far from being any sort of foodie, but it does for me. I've never gone hungry at Glasto or been unable to find anything to eat that didn't take my fancy.

8. The people (2). I'm writing about the punters here. Now this is a bit of a tricky one, because clearly with over so many different people being together at one place at one time then there are bound to be a fair share of what could be termed knobheads. (I'm talking about arseholes who are so pissed they barge into you without a word of apology and those who ignore the bins, think that it's perfectly fine to just throw whatever rubbish they feel fit to the floor and that it's someone elses job/problem to pick it up after them. This is before I touch upon the very small number of scallies who rob from tents or pick pockets.) However that would make this list degenerate into things I don't like about Glasto and that's not what its all about. No, the vast majority of people who go to Glasto are friendly, open and always ready for a chat. There's an incredible sense of communality and shared experience that you rarely get elsewhere.

9. Arriving. Just walking through those gates for the first time feels like going home. The weight of whatever has been on your shoulders over the past days, weeks and months seems to lift like magic.

10. Bit of an unexpected one to wrap it up and something that many Glasto-goers may not agree with.  Leaving. Or the end of it all. That Sunday night/Monday morning feeling when you know it's all over and reality kicks back in. (Please bear with me re this). But...it wouldn't feel like that unless it had been so very special. And there's always going to be next year. 



There are probably another 10 or 20 or more things I could have said about Glasto; and after this year I'm sure this list will have changed again. If you've been, then you've probably got your own and they are all wholly different to these. If you haven't been then, I'm sorry, but mere words can't really do it justice!


My two books about Glastonbury, "Turn Left at the Womble" and "Left Again at the Womble", are available here in both Kindle and paperback formats;



Third (and final book in the trilogy!) all about 2014 in preparation!

            



    

Saturday, March 29, 2014

Left Again at the Womble- the tale of the tent



Extracted from "Left Again at the Womble-The Adventures of a Middle-Aged Dad Working at the Glastonbury Festival". This bit is all about practicing putting a tent up...   


The remaining time before Glasto sped by without really noticing. Before I knew it, it was the beginning of June and therefore only 3 weeks away. Apart from buying all the gear a few weeks before, I hadn’t done anything else. I knew that I had to try to put the tent up, in a practice run sort of way, but considering my general ineptitude in all matters tent-related, I’d kept putting off the evil day, but faced with such a short deadline, I knew that I’d have to face up to my demons and just do it. At the very least, if there was something missing or broken, then I’d have time (just about) to sort it out. I couldn’t really leave it until when I was actually at Glastonbury to try to put it up for the first time. 

As a side issue, and this is something I’ve noticed every time I’ve been to Glasto, is that everyone else seems to be an expert at putting tents up. Even really complicated, big ones seem to get whizzed up with no difficulties and look really professional; tight, florescent guy ropes and everything securely in place. Each time I’ve put our tent up, it’s always involved a lot of wrestling and swearing, and the end result appears to look as if I haven’t a clue about what I’m doing or really know how it should turn out. Which I haven’t and I don’t. The fabric always seems gravitate towards slackness, so by the end it’s the camping equivalent of some wrinkled prune. Whereas everyone else’s remains as tight as a drum, repelling water and wind, without a second thought. 

Anyway, I decided I couldn’t leave having the practice run any longer, so one night after work I summoned up the courage to give it a go. Now for ease we’d got one of these new-fangled pop- up tents, which in theory, should be able to be erected with simply a deft flick of the wrist. I was a bit sceptical about this. Surely this was the camping version of the old “whip-the-tablecloth-off-whilst-leaving- the-bone china-in-place” trick. It would all end in tears. Always ready for a good laugh, the whole family gathered around while I studied the instruction booklet intently. It did seem fairly simple and because it was only a two-man tent, I decided not to mess around with putting it up outside. The front room would do. It was a flat circular affair when packed; like a big nylon pancake. I undid the packaging, and to my utter surprise, it seemed to leap out of my fingers of its own volition and jump into the middle of the floor, all set up.

“And you all doubted me”, I said, somewhat triumphantly. “I knew exactly what I was doing”.

Amy looked at me, over her cup of tea. “Ah, you’ve just got to get it all back in place now. That should be easy as well.” Sarcasm is not a very likeable trait in one so young.



Read more/see/get "Left Again at the Womble" here; Kindle e book or paperback



UK  http://www.amazon.co.uk/gp/product/B00IBK2V6M

US  http://www.amazon.com/Left-Again-Womble-middle-aged-Glastonbury-ebook/dp/B00IBK2V6M

Sunday, February 16, 2014

Left Again at the Womble-an extract

Extracted from "Left Again at the Womble-The adventures of a middle-aged Dad working at the Glastonbury Festival"

This extract is all about waking up on the Friday morning and discovering it was raining...



However much you may read about Tuesday being the new Wednesday or whatever such nonsense about Glastonbury, and irrespective of the fact that I’d been there since Tuesday and spent seven hours working, I still felt somehow that it wouldn’t really start properly until the Friday. I still feel that way and I’m not sure why. It may be because not all the stages kick off until the Friday or that it’s only broadcast on the BBC from the Friday-or just because it’s the weekend. It’s totally irrational because most of the people are there from at least the Thursday and just because a few bands jump up on a stage and start thrashing some instruments shouldn’t mean it’s the signal that it’s all started. But that’s how it feels to me, in some sort of gut-feeling way.

So, as I slowly woke up on the Friday morning, I was excited in that Christmas-Day-is-finally-here sort of way. This was going to be the day when it all kicked in. I was looking forward to a repeat of the previous years’ Friday; blue skies, hot weather, brilliant music, magical times. Granted, Amy wasn’t with me and somewhere within the next 24 hours I had to slot in an eight hour shift, but nevertheless, good times were on the way.

I stretched an arm out of the sleeping bag and gently felt the side of the tent with my palm. It was wet, but I expected that; it was just the condensation. It was light outside; I looked at my watch. Twenty past six. The light outside would be the sun just starting to peek through the early summer mist. In that half-asleep/half-awake state I heard a faint patter of condensation running off the outside of the tent. I would have to find where exactly in my rucksack I had put my battered sandals. The wellies would be useless today; but on the other hand if I was going to be on my feet for a significant part of the day, then maybe I should break out the old Converse.   

As I came round, it slowly dawned on me (quite a relevant metaphor) that the sound I was hearing wasn’t the condensation seeping away from the sides of the tent but  something else altogether. Rain. As my head cleared and I became more awake than asleep, I didn’t immediately leap into action. I must have laid still in my sleeping bag, listening to this gentle patter for at least ten minutes or so. In a strange way it was quite soothing and a bit like the most ambient music you could imagine. Maybe it wasn’t raining at all but instead Eno and Boards of Canada were doing some sort of unannounced secret gig right outside my tent. Or maybe not. Maybe it was just rain and I had to face up to reality. It was good to daydream for a bit, but however much I wished it all away, I knew I had to stick my nose out of the tent and see what exactly was going on. I wriggled myself around and edged towards the front of the tent and, with a certain amount of trepidation, moved the zip down a couple of inches to scan the sky. It was uniformly grey as far as I could see. I pulled the zip down a few more inches, hoping for a break in the clouds somewhat, but there was nothing. It was if a big grey sheet had been thrown over the whole site. In fact there were no clouds at all; it wasn’t that threatening, heavy, scudding black clouds sort of view; just a grey sky. The closest way to describe it is as if you went to bed with a colour tv in your front room and in the night it had been mysteriously replaced with a black and white one. This in itself wasn’t a bad thing; I’d have liked a touch of blue sky to wake up to, although it wasn’t essential. What was certainly not a good thing was the rain, A constant light drizzle. It didn’t seem to be a downpour, it wasn’t windy, simply steady and continuous. Normally I don’t suppose that this would cause much of a problem; if there was such a little shower at home then I think we’re all quite used to it and just get on with things. (After all, I’m from the North of England and we have enough practice with rain. It’s our default position. Rain). However, 15 minutes of drizzle at Glastonbury is a different proposition altogether.

Same cause-but with a very different effect.   

Read more/Get/See  "Left Again at the Womble" here:

Amazon UK




Sunday, February 9, 2014

Left Again at the Womble

"Left Again at The Womble-The adventures of a middle-aged Dad working at the Glastonbury festival "



Well, it's finally finished!

The new book about actually how I couldn't get at ticket for Glastonbury 2011; but still went as I managed to get a job there.


Don't want to give to much of the extremely exciting tale away, but it includes coping with mud-lots of mud- and a leaky tent.

Other highlights include too much coffee, the highs and lows and highs again about not managing to get a ticket in the first place, the glory of being able to use hot showers at Glastonbury and my skill in learning how to wear a t-shirt with the word "Crew" on the back.

It really is non-stop fun.

There's also a fair bit about music and includes a bit on what I can honestly say what was possibly one of the best live performances by any artist I have ever seen.

I may post selected extracts from the book here in the next few months.

There definitely will be bits here that I left out-including how totally underwhelming Paul Simon was.

Anyway, hope you all enjoy it!

Here's a link:

Amazon UK:

http://www.amazon.co.uk/Left-Again-Womble-middle-aged-Glastonbury-ebook/dp/B00IBK2V6M 

Amazon US:

http://www.amazon.com/Left-Again-Womble-middle-aged-Glastonbury-ebook/dp/B00IBK2V6M